Juneteenth: Freedom on the Rise | National Museum of African American History & Culture.
Skip to Content

Juneteenth: Freedom on the Rise

People on a horse-drawn carriage decorated with flowers during Emancipation Day in Corpus Christi, Texas, 1913.
The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor. The freedmen are advised to remain quietly at their present homes and work for wages. They are informed that they will not be allowed to collect at military posts and that they will not be supported in idleness either there or elsewhere. 

Featured Constellation

Historical illustration of a crowded indoor gathering where a central figure presents a document to seated and standing people; side panels read “Watch Meeting, Dec. 31, 1862” and “Waiting for the Hour.”
Old metal branding iron with a long handle and a square-shaped brand at the end, used for marking cattle.
A single piece handsewn dress believed to have been worn by the formerly enslaved woman Tempy Ruby Bryant and handed down through her descendants. The dress is composed of a brown and taupe colored floral patterned fabric. The pattern has columns of flowers bordered by dark vertical lines with light vertical lines running through the flowers. The dress has white buttons at the waist, in a single row from waist to collar. Four buttons are missing: one at the waist and three near the collar. There is neat tucking at the waist band and sleeve cuffs.
Photograph of two men, one seated holding papers and one standing with a violin.

Featured Video

Watch Time: 2:24
Video thumbnail
What we’re trying to get people to understand is that Juneteenth is freedom. And I don’t mean just for Black people, or Texas people. It’s freedom for everybody. 
Framed daguerreotype of a seated person.
Community Story

The Syphax Family and Freedman’s Village

  • Slavery
Photograph of Louis Manigault, Jr. in a field
Present to Past

Land as Legacy

  • Labor
Portrait of Bridget "Biddy" Mason
Biography

Bridget “Biddy” Mason

  • Land