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Biography

Bridget “Biddy” Mason

  • Labor
  • Land
  • Slavery
  • Women's Voices
  • Slavery & Abolition, 1800-1860
Portrait of Bridget "Biddy" Mason

The Long Walk to Freedom

Freedom Papers of Biddy Mason, given to her in 1860, photographed 1930–1989. View Biddy Mason's entire freedom papers.

Freedom Papers of Biddy Mason, given to her in 1860, photographed 1930–1989. View Biddy Mason's entire freedom papers.

A Woman of Independent Means

Ellen Mason Owens Huddleston, daughter of Biddy Mason, 1880– 1890

Bridget “Biddy” Mason at the Owens family house, Los Angeles, CA. Mason is center with white collar, ca. 1870

Charles Owens block purchased by Biddy Mason in 1866, Spring Street, 1907– 1908

Ellen Mason Owens Huddleston, daughter of Biddy Mason, 1880– 1890

Bridget “Biddy” Mason at the Owens family house, Los Angeles, CA. Mason is center with white collar, ca. 1870

Charles Owens block purchased by Biddy Mason in 1866, Spring Street, 1907– 1908

A Legacy of Faith and Worship

First African Methodist Episcopal Church of Los Angeles at 8th and Towne Avenue, 1960s

First African Methodist Episcopal Church of Los Angeles at 8th and Towne Avenue, 1960s

Biddy Mason Speaks Up

The winner of numerous literary awards in 2020 and 2021, the book Biddy Mason Speaks Up is a new installment in the “Fighting For Justice” Series of HeyDey Books. In this video, Ranger Master of the National Park Service reads the book aloud outdoors in the Santa Monica Mountains, where Biddy Mason spent a brief period before gaining her freedom.

If you hold your hand closed, nothing good can come in. The open hand is blessed, for it gives in abundance even as it receives.

Bridget "Biddy" Mason

Photograph of Louis Manigault, Jr. in a field
Present to Past

Land as Legacy

African Americans who inherited land from their ancestors are fighting to keep their land and family legacies.

  • Labor
Black and white photograph of three children walking down street.  There are houses in the background.
Biography

George Henry White

George Henry White was the last African American Congressman of the 1800s. Learn about his life before and after Congress and his commitment to justice.

  • Economics
A color photograph of a portion of a Stop Aids graffiti mural in New York City. The mural is painted on a light tan wall. The bottom half of the image features a depiction of a white brick wall with cracks running through many of the bricks, running the full length of the image. A light and dark blue cloud features prominently on the left side of the image with the words [STOP / AIDS] spray painted in yellow letters outlined in red. The middle of the image features an illustration two men standing in profile, facing each other, on either side of a tombstone. The front of the tombstone has the text [USE YOUR / HEAD BEFORE / YOU END UP / DEAD.] written in black text. The word [DEAD] is underlined and the letters have drip lines giving it a bloody text effect. The man on the left is featured wearing a yellow shirt, yellow pants, and black shoes with yellow laces. He has three black thought bubbles above, and to the right of his head. He is holding his proper left hand splayed out, reaching for a syringe with a bloody hypodermic needle in the proper right hand of the man depicted on the right of the tombstone. The man on the right is depicted with red spikey hair, a green shirt, green pants and black shoes with white laces. On the far right of the image is the text [THE LAW] written in red block letters, outlined in black, above a depiction of scrolled paper with the text [I. DON’T “SHOOT” / DRUGS. / II. USE CONDOM. / III. HAVE SEX WITH FAiTHFUL / PARTNER.] written in black text. There are no inscriptions on the recto. On the verso the image is signed in blue ink by the photographer.
Present to Past

Medical Racism

The COVID-19 Pandemic has highlighted many systemic inequalities that impact African American health and access to health care.

  • Activism