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Reclaiming
My Time

Meditations on Rest and Reconnection

We Will Rest

Detail of digital illustration by Rachelle A. Baker for the cover of Elle Decor magazine, 2021

Reclaiming My Time features furniture designers, graphic designers, and visual artists. The exhibition’s focus on design demonstrates how everyday objects carry meanings beyond their simple function. Through wallpaper, chairs, art, and illustrations, Black creators are expressing ideas about leisure, labor, and connections to Black cultures across the African diaspora.

By featuring selections from our collection of seating design, the Museum is also highlighting the importance of rest and restoration.

This exhibition is generously supported by CBRE.

Detail of digital illustration by Rachelle A. Baker for the cover of Elle Decor magazine, 2021

You are worthy of rest.

Tricia Hersey, 2022

Germane Barnes

Germane Barnes, Prototype for Uneasy Lies the Head that Wears the Crown, 2020

Germane Barnes, Uneasy Lies the Head that Wears the Crown, (7) 2021

Germane Barnes, Prototype for Uneasy Lies the Head that Wears the Crown, 2020

Germane Barnes, Uneasy Lies the Head that Wears the Crown, (7) 2021

I'm Gonna Lay Down...

Sheldon Scott, Rope Hammock, 2022

Sheldon Scott in Rope Hammock

Artist Sheldon Scott’s birthplace of Lowcountry South Carolina is known for this style of handmade cotton rope hammock. Scott’s Rope Hammock is part of a series of hammocks he repurposed that highlights the weaving traditions of the Gullah Geechee people. “There’s a lot of Black labor that goes into all leisure,” the artist notes.

Sheldon Scott, Rope Hammock, 2022

Sheldon Scott in Rope Hammock

At Home

Tuesday at Home Magazine, Vol. 1, No. 7, 1971

Sheila Bridges, Harlem Toile de Jouy, 2006

Tuesday at Home was a homemaking magazine in the 1970s, created by William Leonard Evans, Jr. under his Tuesday Publications imprint. The cover of this edition, Vol. 1, No. 7, 1971, shows Chicago architect Lee Hilary comfortably seated in his renovated townhouse. Magazines are often associated with spaces and activities of leisure (vacation, the hairdresser, the barbershop). To have the time to read a magazine in your own home and in a space of your own making connects ideas of rest and relaxation to home life.

Interior designer Sheila Bridges conceived of Harlem Toile de Jouy as a wallpaper for her own home. She created a pattern that showed Black people relaxing, dancing, styling hair, and playing games. These vignettes of Black leisure appealed to a wider public, making Harlem Toile a popular home décor choice.

Tuesday at Home Magazine, Vol. 1, No. 7, 1971

Sheila Bridges, Harlem Toile de Jouy, 2006

The Others by Stephen Burks

The Others Lantern M, 2021

The Others Statue LIKA, 2021

Stephen Burks has described The Others, a collaboration between Stephen Burks and manufacturer Dedon, as a community of dreamers, ambassadors, and imagination-guides. Both familiar and monumental, The Others lanterns can be stacked together or suspended from the ceiling. Burks says, “We all came from someplace else once. There was a time when we were each the other.”

The Others Lantern M, 2021

The Others Statue LIKA, 2021

We can make homeplace that space where we return for renewal and self-recovery, where we can heal our wounds and become whole.

bell hooks, “Homeplace (a site of resistance)”, 1990

Gail Anderson’s Reclaiming My Time Poster

Amy Sherald

Amy Sherald, Grand Dame Queenie, 2012

Amy Sherald says that painting cleanses her spirit from the daily injustices in the world. “The tradition of portraiture has become a way to reclaim time for me as a Black figurative painter that paints Black people…The paintings are a resting place for people to see a reflection of themselves that is not in resistance or contention. It’s just a Black person being a person.”

Amy Sherald, Grand Dame Queenie, 2012

Amy Sherald: In the Studio

Color photograph of a woman (Amy Sherald) wearing an apron, standing in her studio.

Amy Sherald discusses her relationship to portraiture. Her work is a respite from narratives of continual resistance.